Well, since I only have a 28.8 connection to the net, I'm effectively blind. Something that Buckminster Fuller said really comes home under these circumstances: you really don't know what degrees of freedom you have until they are gone. Man, I can't believe that I used to think a 9600 baud modem was fast.
In any event, since I don't have a clue as to what's going on in the world. . . Let's talk about the art of misdirection.
When I was a young pup in my senior year of high school, I wrote a piece about a local businessman for our school newspaper. The guy loved the article, thought I was one of the few people who understood his philosophy, and offered me a job. Thus I was sucked up into the realm of retail Magic.
Like most everyone, I was fascinated with magic - illusionists. Although it was severely frowned upon by my fundamentalist Christian parents, I had quite a number of books on illusions. Simple ones. The kind you find in bookstores of the 70's. Of course I was given several of the cheesy magic kits by various relatives - much to the chagrin of my parents. But being extremely cheesy, one grows very bored with them very quickly.
But now I was in the magician's lair - so to speak. I was working in a shop who's sole purpose was to cater to professional magicians. Well, since catering to professional magicians isn't that big of a market, a large part of the purpose of the store was actually to separate impressionable adolescents and their parents from their money by wowing them with some simple, but extremely effective illusions. We'd do an illusion for them, they'd be blown away at how cool it was and they would pay us an inordinate amount of money for the instructions and the props that the illusion used. It was quite profitable.
So I spent my work hours talking with people who made their living as illusionists, practicing all the illusions I found fascinating. Honing my skills at entertaining people by fooling them. Because I worked in a shop that sold illusions, we also sold a lot of books about magic and showmanship. And since I was soon ordering the books, I found I had access to a previously unknown wealth of material that I had no idea existed.
Anyways, to get back to the point of this post, one of the most amazing books on magic that I ever found was written by a famous close up magician who's stage name was Tony Slydini. Born in 1901 as Quintino Marucci, Tony Slydini was a legend in the trade. He was the master of what is known as "Close Up" Magic. He didn't invent close up magic - that's been around for thousands of years. It's simply magic that is literally done "close up" and personal to the audience - rather than at a distance from the audience on a well lit stage. But Slydini was the one who turned close up magic into an art form, rather than as a lead in to bigger and grander illusions played out on the stage.
And what an art form it is. Close up magic is my personal preference. Anyone can get on a stage and fool the heck out of people. The people are far away. You have a stage filled with all sorts of special built props that from a distance are indistinguishable from the real thing. The lighting is professionally controlled and since the audience is seated and stationary, all your angles are fixed.
Don't get me wrong. Stage magic is still an amazing art form. But it's relatively easy to do. Yes, there's a lot of showmanship involved in playing to an audience of hundreds or thousands - heck, I've played to wonderful reviews a time or two myself on the "stage". But there's nothing like having someone inches away from you, able to move around, ask questions - someone who is able to grab your hands at the wrong moment or pick up a prop from off the table at an inopportune time. It's the up close and personal that really grabs people's imagination. It's one thing to see something disappear from 40 feet away on a dimly lit stage filled with smoke. It's quite another to have something disappear out of your very own hands, literally right before your very eyes.
In any event, I never actually got to see Slydini perform. But I did watch a number of tapes of his performances. And the man was simply amazing. One thing that happens rather quickly when you start learning the ins and outs of magic is that you become pretty jaded, pretty fast. You know how everything is done, regardless of whether or not you can actually can do the illusion yourself. But Slydini was different. Slydini was one of the few magicians that could fool the jaded magicians with their own tricks.
In one of the performances I saw, he fooled me with a cheap card trick that I had actually known and had actually become quite good at. But in the hands of Slydini, it became real magic. Even though I thought I knew what was going on and how he was doing everything, I was completely blown away by his illusion.
And it wasn't just this ability to fool even the people who knew what was happening behind the curtain that made Slydini so great. Slydini understood, at a very basic level, what misdirection was all about. But he also had a deep understanding of human nature, and how we track things. What makes something entertaining. How to engage an audience so that they became wrapped up in the world that he was showing you.
One of the most amazing tricks that Slydini would do (hey, just my personal favorite) was make large balls of newspaper disappear before your very eyes. One of the ways Slydini would work is that he had an audience very close to his table, and then he would ask various members of the audience to come down an participate in the trick. In this particular trick, the lucky Joe who was at the table would be treated to the entertaining illusion of having each and every one of his progressively larger balled up bits of newspaper disappear in front of them. The poor guy was completely stumped as to how Slydini was making these rather large objects disappear in front of his nose.
But from the rest of the audience's perspective, it was obvious. You see, the trick wasn't really that Slydini could make the objects disappear. Rather it was that the rest of the audience could plainly see that he was simply throwing the balled up newspaper over the head of the volunteer. The audience became part of the "in crowd" and was rolling over, laughing in their seats every time that he made one "disappear" in front of the guy. And by the end of the trick, Slydini would have the volunteer turn around and he would see a large pile of balled up newspaper behind him. It was an amazing display of showmanship and true illusion.
I have several books by Slydini and what's odd is that there aren't very many technical aspects to his magic. It's really all about psychology. It's all about the art of misdirection. You see, what Slydini found out was that the important thing isn't really the ability to palm a coin, the ability to keep a card hidden in your hand or the ability to do a perfect Pharo shuffle. The important thing is how you reveal that a trick has been done.
Most everyone knows how to simply palm a coin and make it disappear. Pretty much every uncle and dad on the planet can place a coin in his left hand, between the thumb and first finger, pretend to grab it with the right hand and allow it to fall into the palm of the left hand. Whomever is watching naturally assumes that the coin is in the right hand and is mildly surprised when the coin turns up behind their ear.
What Slydini noticed is that this is a bad way to do magic. It's pretty easy for whomever the trick is done for to simply back track to the point where the right hand grabbed the coin out of the left hand, and figure out that this point is where the trick must have been done. They may not be able to figure out quite how you managed to pull it off - especially if the person being fooled is a five year old - but they know that's where the "trick" must of happened, and therefore they aren't mystified any more. They know "how" the trick was done.
Slydini, on the other hand, would never do such a thing. The essence of his magic was simply to never reveal that a trick has been done until there are at least three or four levels of misdirection involved. To use the example above, Slydini would do the exact same cheesy palming of the coin, but he wouldn't simply stand up and pull it out of your ear. Instead, what he'd do is something like pretend to drop the non-existent coin into an flash paper envelope. Dramatically seal the envelope and then burn the envelope in an ash tray in a big burst of flames. Then he would do a few more things before dramatically pulling the coin out from behind your ear.
I know this is likely a lame example, and if I were home, I could actually quote some examples that Slydini himself used to illustrate this concept, but the point is that if you do a trick, and then immediately reveal it, it's a trick that's going to be pretty easy to figure out. If you simply put some distance between when the trick was done and when the trick was revealed, it's really hard for the human mind to back track and figure out at what point the coin disappeared. It's a matter of expectations. It's relatively easy to back track a step or two and figure things out. But the human mind is a forward thinking beast - it is an anticipation machine. And so after some time and distance, it's expectations get jumbled with the actual past and unless you're very good (like a criminal detective), you'll get lost in the maze of forward and backward pointers that a skilled illusionist sets up for your entertainment. And the effect will be pure magic.
And this is the actual point of this post. In the realm of politics, the same principle applies. The best politicians put plenty of time and distance between when they actually do the trick and when they reveal it. The electorate has an enormously hard time back tracking through the various steps to figure out what they actually did. It's pretty easy to catch unskilled politicians when they don't know the secret. It's far harder to figure out the masters - even if you know what you're doing and the tricks that they are using.
Another point is the way that Slydini let his audience "in" on the trick. The idea of fooling an individual or two in front of a larger crowd.
Lately I've been having conversations with a lot of the RWAP regarding the Iraq war. To a person, none of them believe the whole spiel that this was a war fought because of Weapons of Mass Destruction or because of solid links to Al Qaeda. Instead, they believe something quite different.
And of course they're right. But what happened is that Rove kind of turned Slydini's technique on its head. Rather than doing the illusion for a small group of people and letting the larger audience in on how the trick was actually accomplished, Rove tricked the larger audience and let the smaller group of people in on how it was done. The whole prosecution of the war was this way. It was as if huge balled up pieces of logic regarding the theory of pre-emptive war disappeared in front of our eyes, while the rest of the "in" crowd roared with laughter behind us. WMDs and justifications that vanished before our eyes, leaving us baffled as to what was going on.
One only has to listen and read the massive amount of noise that was generated over the parsing of the word imminent, or watch th Tom Foolery regarding the Feith Memo concerning Al Qaeda to get a feel for what is going on. Rove is truly an illusionist that Slydini would have been proud of.
Anyways, the sun is up and the daylight is spreading over the big island. Time to see if I can wake my wife and see if she wants any breakfast as well as figure out what we're going to do today.
Aloha.